Is the most popular song played on Australian radio stations the product of generative AI?

Josh Fawaz' YouTube channel, HIs cover of Like A Prayer has topped the Australian commercial radio charts and the global iTunes electronic music charts. Photograph: @joshfawaz/YouTube View image in fullscreen Josh Fawaz' YouTube channel, HIs cover of Like A Prayer has topped the Australian commercial radio charts and the global iTunes electronic music charts. Photograph: @joshfawaz/YouTube Is the most popular song played on Australian radio stations the product of generative AI? Josh Fawaz’s song, a cover of Like a Prayer, has raised questions over how generative AI is being used in music and whether it should be declared An Australian producer has gone from a little-known artist to a viral sensation in a matter of months, with his hit song catapulting onto global charts and receiving thousands of radio spins. There’s just one problem: music experts and other musicians are questioning whether he produced it. They claim Josh Fawaz’s most popular song, a cover of Madonna’s Like a Prayer which reached the #1 spot on the National Radio Airplay chart, could have been made using AI. While producers often use software like Bandcamp or pitch-shifting tools in their work, or use AI to mix, master or otherwise enhance tracks, in an AI-created song, generative AI is the creator, requiring nothing from a human but a text prompt. The song credits on Like a Prayer – and all his tracks - list Fawaz as the “performer”, meaning the vocalist; and his uncle, Fadi Fawaz (best known as George Michael’s former partner), on synths and production. But Sam Whiting, a senior research fellow at RMIT’s school of media and communication, and others, say Like a Prayer has hallmarks of AI music generators like Suno, such as being “heavily compressed” . “This is a very ... impressive vocal performance if it was delivered by a human but if it’s not, that brings in really worrying questions around what we value any more in terms of human expression.” Breakthrough hits “I use AI as a tool,” Fawaz said on Instagram, under a post criticising his work. “What I care about [is] providing my listeners with good music.” Fawaz began releasing music in the 2010s. But it wasn’t until he pivoted to covers with vocals this year that he gained commercial success, first with Like a Prayer in April and months later with his debut 18-track album, Dance Like Nobody’s Watching – filled with heady, club friendly re-imaginings of hits like Oasis’s Wonderwall and Cyndi Lauper’s Girls Wanna Have Fun. Since its release, Fawaz’s version of Like a Prayer has had 35m streams on Spotify and topped the iTunes Electronic chart worldwide. His album also climbed to #18 on the ARIA Australian artist albums chart. On 1 July, a new commercial radio code of practice came into effect requiring programs to be transparent about using AI generated voices on air. But it doesn’t apply to music. The success of Like A Prayer comes as big tech companies are asking for Australian copyright laws to be watered down, to allow t