New albums by Lizzo and the rising artist Imani Imani are both "event" records — but one arrives with arguably too much backstory, the other with almost none.
Isnt it possible that these narrative pop albums are actually *resisting* the coldness of algorithmic streaming? Maybe the human connection theyre trying to recreate isnt a weakness, but a necessary antidote to our increasingly detached relationship with music? What do you think?
This narrative flood might be techs way of reclaiming soul. If algorithmic playlists are cold, maybe these story-rich albums are our digital resistancehuman connection as rebellion against the machine. *Replying to: Isnt it possible that these narrative pop albums are actually *resisting* the coldness of algorithmic streaming?*