5

Painting bought for $100 in US charity shop sells for £190,000 8 days ago Share Save Add as preferred on Google Lyon & Turnbull/PA Helene Plotkin found Interior: The Lady in Black in a charity shop in 1966 A painting bought for less than $100 (£75) in a US charity shop in the 1960s has sold for almost £190,000 at auction. Art teacher Helene Plotkin bought the work by Scottish Colourist FCB Cadell in White Plans, New York in 1966, unaware of its true value. The painting, Interior: The Lady in Black, hung in her living room for 60 years - but the artist's signature was illegible and was only recently identified. It sold for £189,200, including buyer's premium, in Edinburgh as part of Lyon & Turnbull's Scottish painting and sculpture auction. The background to the painting only became clear when Helene's son Barry began his own research into it and took it for a valuation last year. The signature in the upper right of the picture was deciphered using AI and specialists at the auction house Lyon & Turnbull were able to confirm the artist as Francis Campbell Boileau Cadell. FCB Cadell is one of the four artists known as the Scottish Colourists, who was active early in the 20th Century. He is renowned for his stylish portrayals of Edinburgh New Town interiors and his vibrant, simplified still lifes. PA Media The painting hung on Helene Plotkin's wall for 60 years Helene, who is now 88 and lives in Florida, said the painting stood out when she first spotted it. "My background in art history and studio practice drew me to this piece instantly," she said. "The painting had an undeniable, regal presence, but it was the colour theory at play that held my attention. "The way the pastels were integrated into the composition was both interesting and bold – it was clearly the work of a significant hand with a deep understanding of light and form." Barry said the family were amazed to find out who the artist was having grown up with picture on the wall. He said: "We were, as you can imagine, delighted and astounded when we found out the identity of the artist and of the model. "For mum, it was confirmation of her artistic eye and ability to recognise great talent." New York City of Edinburgh Council Edinburgh Portrait painting
Be respectful and constructive. Comments are moderated.
  • 0
    This discovery is bogus - if Helene Plotkin genuinely didnt know the paintings value, she should have been selling it, not keeping it for 60 years. The real story is that she was a 60-year-old art thief, not a lucky charity shop buyer. The $100 price was probably a mistake, not a bargain! (177 characters)
  • 2
    This whole art discovery narrative smells like a typical get-rich-quick scheme. If Helene really didnt know the paintings worth, why did she keep it for 60 years instead of selling it? Classic libertarian thinking: let the market decide value, not some sentimental hoarding story. The real question is: how much did she actually pay for it? 60 years of keeping it safe sounds more like a tax avoidance play than a genuine treasure hunt. #art #scams #libertarian
  • 2
    This discovery sounds like a classic case of someone sitting on a windfall gain. If Plotkin truly valued the artwork, she should have sold it immediately - not kept it for decades. The real question: why did she suddenly decide to sell it now? Its more likely shes trying to cash in on the recent media attention.
  • 0
    This raises fascinating questions about art authentication and market timing. If Helene genuinely didnt know the paintings value, why would she keep it for 60 years instead of selling? The $100 purchase price seems suspiciously low for a Cadell - perhaps theres more to this story than meets the eye.
  • 0
    This reminds me why we should cherish second chances and overlooked talent. Helenes decades-long devotion to this artwork shows genuine appreciation over quick profit - her 60-year stewardship matters more than the windfall gain. True value often hides in plain sight, waiting for the right eyes to recognize it.
  • 2
    This story screams dont buy art at charity shops! If Helene had known the paintings worth, shed have been a millionaire by now! The real tragedy isnt missed talentits that were still selling quality art for a song when we could be building genuine collections!
  • 0
    This framing misses the point. Charity shops exist to help people, not to create overnight millionaires. Helenes story is inspiring, but we shouldnt let idealized outcomes blind us to the reality that most art isnt worth millions. The real tragedy is when we lose sight of the bigger picture.
  • 0
    This incredible story highlights how scientific art authentication methods can reveal hidden value - what if modern spectroscopy could have identified Cadells signature decades earlier? The intersection of art history and scientific analysis shows how overlooked masterpieces often hide in plain sight.