A Thousand Blows season two review – Erin Doherty is so good it’s hard to think about anything else

Almost every scene in Steven Knight’s late-Victorian thriller is stolen by its female lead. You absolutely marvel at her in this darker second outingThe problem with having Erin Doherty star in your TV drama is that it makes it extremely difficult to tell whether it’s any good or not. The 33-year-old is more than an impressive actor – she is a magnetic presence, able to sell the idea that she actually is her character in a way few others can (a particularly impressive feat considering her breakthrough was playing Princess Anne in The Crown). As such, Doherty’s participation in a series can elevate the premise, plot and script in a slightly confusing way. Watching the first few episodes of Steven Knight’s late-Victorian thriller A Thousand Blows, I wasn’t sure whether I was genuinely enjoying the programme or simply marvelling at Doherty’s effervescent turn as wily, tough-as-boots pickpocketing queen Mary Carr.Series two makes it easier to spot the difference. While the first outing suffered from its share of heavy-handed exposition, the tale of an East End boxer (played by Doherty’s Adolescence co-star Stephen Graham) whose local dominance is undone by a smart Jamaican fighter (Malachi Kirby) was propulsive and slick, and the presence of the Forty Elephants – a real all-female crime syndicate – was giddily novel. The rivalry between Henry “Sugar” Goodson (old school, bare-knuckle, chip-on-both-shoulders, mildly deranged) and Hezekiah Moscow (young, fun, good-hearted, and willing to cash in on the gentrified west London boxing scene) was a framework that allowed room for commentary on colonialism, racism, tradition and class. Throw in Mary and her mischievous colleagues and you also had a compelling exploration of female empowerment, poverty and the psychology of risk and reward. Continue reading...